Book Review: Johanna’s Christmas

I hope you all had a Merry Christmas and/or happy holiday time with your family and friends. I also like to wish you a Happy New Year over the next day or so, depending where you are. Today I have finally have for you my review and finished pages from Johanna’s Christmas. This is the only other book that I worked in over the past month.

Johanna’s Christmas: A Festive Colouring Book is a Christmas themed colouring book by the great Johanna Basford. It was published back in October 2016 and its been quite popular during the last two holiday seasons. I wasn’t sure about buying it last year. However, a few months ago I found it for a really good price, so I though why not add another one of Johanna’s books to my collection and have plenty of beautiful pages to colour during the holiday season.

Johanna’s Christmas is a similar format to Johanna Basford’s other books, but it doesn’t have removable dust cover. Instead it has a soft cover with a french flap, The front and back covers are decorated with a collage of Christmas inspired drawings and has gold foil detailing on the front cover. Inside there are 80 pages, which are perforated for easy removal. The paper has a nice, soft texture, ivory in colour and is thick like Johanna’s other books. Although there are 80 pages, there are only 37 pages of illustrations, which doesn’t include the title page, name plate page or colour palette tester page. On the back side of the pages there is a pattern that has been printed in grey ink. Through out the book there are three different patterns on the back side of the pages. You could colour them, but they are more decorative or allow you to feel more free to use different mediums with ease. I know some people feel that they are getting less for their money, however it really didn’t bother me. I liked having the freedom to use wet media, which I normally don’t in Johanna’s books because I am paranoid of bleed through. I also liked that I didn’t have to worry about colour transfer onto the other page, however there are quite a few double pages spreads. I am careful to place a piece of paper on those pages to protect the facing image, even when storing the books. Just note the I have UK edition, so if you would like to see a comparison to the US edition, see this great article by Colouring in the Midst of Madness.

The images in this book undeniably Christmas inspired, however there is plenty of variety and all have Johanna’s signature style. There are drawings with wreaths, mandalas, round and full page collages, full page scenes and images with large blank backgrounds. There are plenty of Christmas trees, baubles, winter animals, presents and much more.

All in all, I am very happy that I bought this book for Christmas colouring. I love the format of the book, that gave me the freedom to experiment, I love the variety of pictures, which included many cute animals and cosy scenes. The paper is just fantastic and takes pencil and watercolour like a dream. My only criticism is the the black french flap, attached to the cover is in black, which has left black marks on both the front title page and back colour palette test page. Although this can be erased it will be constantly rubbing and I will have to protect it with paper for storage.


Below I have included a video flip through of Johanna’s Christmas and photographs of seven pages that I have coloured from the book. They are listed in order as they appear in the book, rather then when I coloured them.




The Christmas polar bear is one of the first pages I coloured for the holiday season. I have seen this page done in a variety of ways, but I wanted mine to be more unique, so I created a background, which was inspired by the northern lights and forests in Scandinavia.

I first roughly drew in the tree line and tried to mirror it the best I could for the lake. I then added in the skyline, which was also mirrored on the water. This took quite a while, but on this paper my Prismacolor pencils blended quite well. Next I coloured the polar bear and ice and added white gel pen for the fur and to go over the black ink lines. Lastly, coloured the water line, scarf and presents. I tried to reuse the same colours from the background, with an additional pop of limestone green and yellow orange. I also did some extra detailing for the stars and presents with white gel pen. This pages didn’t turn out perfect but I am happy with the pastel colours and the concept.


The Gingerbread houses is a double page spread, which I coloured last in this book. I didn’t take this one too seriously, I just wanted to do something fun and pretty.

Since there was so much to colour, I put a base of layer of Inktense pencil activated with water. I found that this worked really well with another one of the pages I coloured below and it really sped up the colouring time. Since I had to go all the way to the edges of the page, the paper did buckle a little, but over the next couple of days it did flatten out, by having the book closed. The texture of the paper was affected in anyway, so its was lovely to colour over the top with Prismacolor pencils. I quite liked how the pencil was quite chalky over the top and helped soften the black ink lines. In saying that I did still go over all the black lines with a white gel pen. I was nearly able to finish it however I did have to use a bit of white Posca pen when my gel pen ran out. This was not idea, since its just absorbs into the paper, but it was only a small section.

For the sky, I had originally just coloured it with darker pink Inktense pencil and light pink Faber-Castell Albrecht pencil. It was a little flat though, so I tried to draw in some clouds with different shades of pencil. I did end up outlining them with white gel pen and going over the sky again with pink Prismacolor, just to give a point of difference. Its not perfect but its better then having no sky and it was quite easy to do.


The Rocking horse was the first page that I had used Inktense as a base and Prismacolor pencils over the top. I found this technique really sped up the colouring time and gave a richer colour. It also softened the black lines and the pencils gave a lovely soft finish. The only thing that I am not happy with and was a learn curve was the green circle background. I originally went in with a dark green and white Inktense pencils. After activating it with water the texture looked horrible. When I tried to go over the top with light green pencils, it just looked very scratchy. I think the problem was the white Inktense pencil. Overall then the paper took the water quite well, since I didn’t have to colour to the end of the paper. So I have mixed feelings about this one.


The next double page spread is my least favourite of the bunch and was more of an experiment with Mungyo Pastels. I am a bit nervous to use pastels, since when I have used them over pencil they kinda washed out the pencil vibrancy. I know you can use a colourless blender to protect the pencil but it seems I still worry doing a rich layer of pastel. So I thought for these pages I would do a really rich layer of pastels and then go in over the top with pencil. The only thing I didn’t count on was that I was not able to erase the pastel as well as I hoped. So it was a little hard to cover the drawings with pencil and it took on some of the background colour, hence why my gold is so orange. I don’t think I would do this again but it at least now I know.

The last picture is my favourite and is the first picture I did for the Christmas season. I took quite a while filling in the background before colouring the rest of the picture. I don’t normally do this but it was well worth it because when the other colours did smudge on the background I was able to erase it. Although it looked like quite a simple design it quite a detailed picture and it took me a while, but I just love it.


I hope you like the last of my Christmas colouring for this season. If you are curious about this book and see it for a good price I really recommend buying and putting it away for next year. I think it will still be popular next year like all of Johanna’s books and it’s just a beautiful quality colouring book. At the moment, the prices are quite low but also look out price drops prior to the next Christmas season.


This book can be purchased from:

Book Review: Coloriage Wild

When I first saw these images of darling little girls with floral head dresses start to pop up in colouring community I knew I had to have this book. I found it they came from the delightful French colouring book Coloriage Wild. Unfortunately, I was unable to get hold of it in Australia. However, if you have been following me recently you know we went to Europe this year and visited Bourdeaux. I was able to purchase this book on Amazon France and have it shipped to my friends, who live there.

Coloriage Wild is by French artist and illustrator Emmanuelle Colin. She was originally an architect, however, her artistic passion led her to become an independent illustrator. She has since illustrated books and her designs have been used for puzzles, games and wall decals. This book is her first colouring book and she just recently published her second book, Coloriage Wild 2.

It includes the fourteen of her sketches from her Wild collection. These drawings have originally been done with graphite on paper and been reproduced in a 20 x 20 cm spiral bound book. The designs have been repeated twice, giving you 28 drawings to colour. The pages thick 250gr paper and all are perforated so they can be easily removed from the book.

The drawings in this book are in grayscale. This was my first time coloring grayscale images and I quite liked it. I did have to be careful not to completely color over the top of the existing shading so I could see where to go in lighter and darker. It did make it a lot easier to know where the shadows and light source are. I found I had to use a lot of care to colour the flora and this took me the longest in all the drawings. However, the skin and hair have been sketched so naturally that it was quite quick and easy to colour these details with realism. If these sketches were not done with grayscale I doubt they would look so realistic and three dimensional for an amateur like myself.

In this book, I decided to experiment with a variety of mediums. I used Prismacolor Premium pencils, Faber-Castell Polychromos, Faber-Castell Water Colour Paints, Faber-Castell Albrecht Dürer Watercolour Pencils and Derwent Inktense. Surprisingly, I had very different results. Some materials really were not suited to this paper, while others worked really well. However, depending on your technique you may come to different conclusions. I did find I had to use a lot of layers and a bit of pressure to get a smooth finish on this paper. I also found that my pencils left quite a bit of dust and I had to be careful not to smudge colours all over the paper. Below I detail my experiences with each medium.

In conclusion, I do love and highly recommend Coloriage Wild. The artwork is gorgeous and would be lovely to display in their original form or with colour. The grayscale sketches prompt light and shadows, so even if you are a beginner it would not be difficult to colour. The paper is high quality and allows for many different mediums and experimentation.

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Adult Colouring Materials

Hi all, I have recently been updating my blog to make it more user-friendly and I finally purchased my own domain! I have been thinking about it for a while and finally committed to this blog. I’m really happy with the kind of content I am able to put out as it covers all my passions for travel, food and colouring of course. I have been a bit slow to get more content out the past couple of months, due to holidays and illness. But I have a few projects in the works to share with you all soon.

I thought I’d share with my colouring enthusiast and curious friends what kind of materials I use for adult colouring. Since I started colouring I have slowing been upgrading and adding to my art supplies. Back when I first started I wish I knew the pros and cons of these brands. Although it was probably better to start with cheaper supplies before I committed to more expensive ones.

There are so many more art supplies I wish could buy if I had unlimited time and money. I would love a set of Faber-Castel Albrecht Dürer Watercolour Pencils, or to experiment with different types of markers like Tombow or Copic. I am also really curious about Tombow Irojiten Colored Pencils. However, I am always mindful about buying pencils that have open stock available and not doubling up too much on materials that are very similar. Who knows maybe Santa will bring me something new later this year.

The latest pencils I purchased were the Prismacolor Premiers, which I can’t live without now. Although I love to go back to my Faber-Castell Polychromos for a different experience and when doing tutorials that use them. I also love my Inktense pencils, which are water-soluble. The technique for Inktense is completely different, so it’s nice to have a break and go crazy with them sometimes. I don’t have a lot of additional materials, but I’m happy with the brands I have bought.

What are your favourite pencils?

Do you have any art supplies you can’t live without for adult colouring books?

 

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2# Colouring Update

Colouring has definitely become my number one passion at the moment. I have been colouring about a year and a half now and I don’t see myself stopping anytime soon. I have always kept my colouring books to myself and haven’t participated much in the colouring community. But I have decided to get more involved, share my work and communicate with others who share my passion. In my personal life, I often find myself quite isolated with a toddler. So this is another way for me to be more sociable.

Since colouring is such a big part of my life I decided to update this blog to make it more colouring fan friendly. I have made a few more pages and links dedicated to my colouring book collection, materials, finished pictures and colouring book reviews. I hope you guys find them easier to view and can give you inspiration for your own work. You can also find me on Instagram and Pinterest, where you can see what I’ve been working on.

Here is my entire collection so far. I’ve promised myself that I won’t be buying any more books until I have at least started all of them. To get a better look, check out the Colour section of my site menu.

 

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Book Review: The Magical City and learning to colour with Inktense

Ever since I watched the Speed Colouring of The Magical City with Derwent Inktense pencils (Hyde Park), by Peta Hewitt, I was intrigued with Derwent Inktense Pencils. I was in awe of the way the dull pencil shades would activate into vibrant hues with the touch of a magical water pen. For a long time, I held back buying more pencils. However, when Peta brought out her step-by-step tutorial series in The Magical City using Derwent Inktense Pencils I knew I had to give it a try.

Recently I have been practising and experimenting with Inktense pencils and I now feel more confident using them. The colouring experience with these pencils are much different to normal colouring pencils. They can be activated using a water brush, water-based blending marker or paint brush with water. The water makes shades more intense and is easily blended and create gradients.

Derwent Inktense Pencils are similar to water colour pencils, except they are made permanent when dried. This makes layering more effective. They can be bought loose or in fixed packs of  6, 12, 24, 36, 48 and 72. I prefer to use the pencils with the Pentel Arts Aquash Water Brush. However, I have also experimented with a Tombow Blending Marker, which is also very effective and better for paper that can’t handle water as well. Just note that the water can wrinkle the paper and the colour can bleed through if too much water is used. So always try your materials in the back of a colour book before painting with them. For a complete list of all the materials I used refer to the bottom of this post.

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