Book Review: Seasons (Tidevarv)

I hope you all had a restful holiday break. Today I can finally bring you my book review of Seasons and the completed pictures that I coloured at the end of 2019. I received a copy of the Seasons and Spirit Animal colouring books by Swedish artist, Hanna Karzlon back in August. Since then I have been trying to work through Hanna’s previous books in order, which I had yet to start.

Seasons is Hanna’s fifth colouring book, which came out in 2018. It originally came out in the Swedish edition, Tidevarv. The format of this book is the same as the rest of her books, which you can see from my other reviews of her first two books, Day Dreams and Summer Nights. You can also see my more recent reviews of Magical Dawn and Smyckeskrinet (Jewelery box).

This book has a light blue hardcover with a black and white design with the addition of gold foiling. The paper is high quality and off-white in colour. The pages are double-sided and there are 96 pages of line art.

The theme of this colouring book is the four seasons, which have been brilliantly divided within this book. It starts with Spring and ends with Winter, following the seasons of the northern hemisphere. At the beginning of each section, there is a design with a magical potion of the essence of the season that will follow. True to Hanna’s style, there are plenty of exotic flowers, mushroom caps, bejewelled birds, insects and furry friends, pretty ladies, forest and water scenes. There are also quite a few pages dedicated to Halloween and Christmas.

I absolutely love the artwork in this book. I especially love that the book was divided by seasons, as I was able to easily choose colour palettes for the time of year. There are plenty of Halloween and Christmas inspired pages that you can refer to in the year or beautiful designs which reflect the current season your experiencing. I wanted to do at least one page for each season, as a few for the holiday season at the end of 2019. In total, I was able to complete 11 pages with a variety of media, which I have detailed below. I also made a video flip through with all the current completed pages. Future completed pictures will be added to my Seasons gallery.

The Nameplate page for this book is very pretty and detailed. It was a bit tricky for me to pick colours since I wanted to illustrate all of the seasons. I’m not sure I nailed that, but I am very happy with the colour I used. I only used Prismacolour Premier pencils and a white gel pen for details.

This Spring lassy was one of my most enjoyable to pages to colour. I love how delicate her face and clothing are. I normally go for gold or silver metallic headdresses for Hanna’s girls, but this one needed some soft lace, satin ribbon and soft spring colours. I was inspired by this French model and this spring colour palette. For the background, I did more of a bokeh effect, since there were quite a few small circled that decorated it. I tried to white them out as best I could, to keep the design nice and soft. I only used Prismacolour Premier pencils and a white gel pen for details.

The Summer sundown was a fun one to colour and use a bright summer palette. I’m not usually a fan of water scenes, as I never find mine very convincing. However, turning it into a sunset gave the opportunity to create a reflective effect on the water. Summer colour pallets are so vast, but I limited my inspiration to these two summer palettes: Blue-Pink and Orange sunset. I tried to reuse the same colours as much as possible, so it looked more cohesive. However, it also has so much going on, which also makes it more interesting to look at completed. My sky came out very smooth and vibrant with the Prismacolours. The water is a bit more course, as the muted blues don’t blend as smoothly. Again I used Prismacolour Premier pencils and a white gel pen.

The Autumn beauty is my favourite page of the bunch. I worked very hard on this double-page spread and it is probably the best face I have ever coloured in one of Hanna’s books. Colour choice was pretty easy since Autumn has probably one of the most defined palettes of all the seasons. I used these autumn leaves as my inspiration and purple ombre as a contrasting colour for the background. To give the stars, mushrooms and dots a more sparkly effect I only partly outlined or dotted each object. I think this is much more effective, then completely outlining them, which is something I usually do in these books. Again I used Prismacolour Premier pencils and a white gel pen.

The Wicked witch was completed for Halloween Colouring 2019. There are so many versions of this page by many other colourists. I wanted to use unconventional colours for this Halloween and I was inspired by this red-headed witch. I loved the smokey green background, which I tried to reproduce in my version. I used Prismacolor pencils for the main image, as well as a white gel pen for details and a black Tombow brush pen for the background

This Christmas giving double-page spread was revisited for Christmas Colouring 2019, in the winter section of this book. As I mentioned in my previous post, I started off really enjoying this page, until I got to the background. Then I took out my watercolours paints and things didn’t turn out as planned. I first used Winsor & Newton watercolour paints to add black-grey and purple background. It looked pretty terrible so I went over it with Prismacolour pencils, as well as gold and white gel pens. I am really not happy with the turn out of this page and probably should of used a different colour palette as well.

The Scandinavian winter was my major page for the winter section. I really wanted this page to be magical and reflect the Northern lights. I was inspired by this photograph of Finland by night. To get a smooth sky I did many soft layers and blended with white and pastel colours. I also used a Prismacolor blender pencil for the darker blue, which otherwise still look a little chalky. I coloured the darker objects last, to not smudge the lighter sections of the page. I used Prismalcolor Premier pencils and a white gel pen to cover black lines, stars and sparkles.

The Tiny decorator is another one I coloured for my Christmas Colouring 2019. I’m not quite happy with this page either. I envisioned using more pastel colours. I used Prismacolour pencils, which always work well on this paper. I then tried out my Winsor & Newton watercolour paints for a contrasting background. It also came out a little patchy, so I went over with a bit of pencil. This page also had a lot of small stars and spots, so perhaps if I didn’t cover them with so much gel pen it would have looked better.

The Folksy Christmas bird is my favourite page that I coloured in this book for the Christmas season. I switched to Polychromos pencils for the main objects, since the design was more intricate and needed a sharper point. They came out quite nice and smooth on this paper. For the background, I tried my Winsor & Newton watercolour paints again, which was much more effective then my previous attempts. I then used white and gold gel pens for the bell and the circular shape.

Seasons and Hanna’s other books can be purchased from:

Christmas Colouring Project 2019

Happy holidays! Today I can finally bring you all my completed pictures from the Christmas period for 2019. Over the past month and a bit I have completed 11 Christmas themed pictures from 5 books in my colouring collection.

This year I experimented a bit more with watercolour and acrylic paints for backgrounds. I normally use exclusively pencils, as I am afraid to ruin the paper or opposing image. However, I had pretty good results and it was much quicker.

If you would like to see my Christmas colouring from past years, see my Special Occasions Galleries, which are linked to the original posts.

Romantic Country: A Colouring Book

The Christmas Present is from Eriy’s first Romantic Country: A Colouring Book. It was the last page I coloured and my favourite one in the bunch. I forgot how much I love the paper in these books, so I would like to do a bit more in them, as I have only really done seasonal pictures. I love that the ink is a light grey, which makes it a little easier to disguise the lines. You can see other pages I have coloured in this book from my up-to-do gallery.

For this page, I only used Prismacolour pencils and a white gel pen to cover some of the white lines. It was such a fun and easy one to colour and it was pretty quick because of the paper quality. There are quite a few Christmas themed pictures in Eriy’s series, so I may take a bit more time in these books next year.

Johanna’s Christmas

The following three pictures are from Johanna’s Christmas by Johanna Basford. This gorgeous Christmas themed book is true to Johanna’s intricate inky style and is her only book that is single sided. I actually did a book review of this book last December with completed pictures. So the rest of these ones will be added to my Johanna’s Christmas gallery.

I didn’t realise this first design was a Reindeer Christmas ornament until I was halfway colouring it. I originally had plans to add fireworks or something in the background, but the time I finished filling in the background of the design I decided to leave it. I had used Prismacolor pencils for the main features and a black Tombow brush pen for the rest. I found it quite spongy and blotchy on this paper. So I didn’t want to add anything else to the black on top. I’m happy with the overall colour choice but not so much with the execution.

This next Christmas scene is one of my favourites in this book. It has also had a similar design on the opposing page. This one reminds me of the Night before Christmas. I have seen this one done beautifully by quite a few other colourists. My favourite is by Chris Cheng, which she has done a video tutorial for. This page took me for ages, because I used a lot of soft layers of Prismacolour pencils, particularly for the leaves and background. I also got a bit stumped on colour choices too, so I tried to reuse pencils as I went to make a more cohesive result. The only other addition I used was a bit of white gel pen for sparkle.

The last page I did in this book is this simple Decorated deer head. Although it looks easy it wasn’t a little difficult, as it had a lot of stylised lines in the head, which were hard to disguise with Prismacolor pencil. For the colours, I was inspired by this picture by Ruby Art and this vintage card. The main design is quite small on the page, so I wanted to do a plain background of turquoise. I used some cheap watercolour acrylic paints, I bought a while ago from Eckersley. I mixed Viridian (dark green) with White and a touch of Sap Green. I applied it with a water pen and watered the paint down a lot, which made it easier to apply the paint onto the paper. I did have to do a couple of layers, so it would cover properly. I am quite happy with the result, as I wanted a bit of a textured look. Other than that I used a bit of silver gel pen for the ornaments.

Seasons

The few pages are from Hanna Karlzon’s Seasons. There are quiet a few Christmas themed pictures in the winter section of this book, so I have plenty to come back to next year. I actually had a review lined up for this book which is already coloured and filmed, so look out for that soon.

When I first started this double-page spread I was really enjoying it. I loved the oversized cat and dog and I think I did a pretty good job on the fur. However, once it came time to do the background things went a bit downhill. I first used Winsor & Newton watercolour paints, to add black-grey and purple. It looked pretty terrible so I went over with Prismacolour pencils, as well as gold and white gel pens. The result looks pretty terrible. I’m still getting used to using watercolour so I will have to practise a bit more. I probably would have been better off using acrylic, but at this point I hadn’t tried it yet.

This Tiny decorator also started off pretty well as I envisioned using more pastel colours. I used Prismacolour pencils, which always work well on this paper. I then tried out my Winsor & Newton watercolour paints for a contrasting background. It also came out a little patchy, so I went over with a bit of pencil. This page also had a lot of small stars and spots, so perhaps if I didn’t cover them with so much gel pen it would have looked better.

My last page in this book is my favourite one I completed. It was definitely the most simple of the four but came out looking exactly how I wanted. I used Polychromos pencils, white and gold gel pen and Winsor & Newton watercolour paints. I improved a lot more at the watercolour effect for the background. I will still keep trying until I get better. I forgot to mention that the paper in this book took the watercolour really well and there was minimal to no buckling.

Botanicum

The following two pages are from Maria Trolle’s Botanicum, which I worked on while I was completing a series of pages for a book review I did last month.

I am pretty happy with this Round robin wreath. It took me a long time with Polychromos pencils, but with plenty of soft layers, it gave it plenty of depth. These pencils are easy to sharpen to a sharp point and don’t dull as easily as other brands, so it was much easier to get into the small spaces.

The Kitty-cat Christmas was a relatively quick one for the mediums I used, which included Prismacolor Premier pencils. Faber-Castell Albrecht Dürer Watercolor Pencils, Derwent Inkense pencils and a white gel pen. I was surprised that I was able to glide over coloured leaves with a water pen to activate the watercolour background without disturbing the colour.

Sagor Och Sägner

The last page is from Emelie Lidehäll Öberg’s Sagor Och Sägner. You can see my previous book review and up-to-date gallery from this book.

I was a bit intimidated to start this one compared to the others I have worked on this season. I coloured it all with Prismacolour and then switched to black watercolour acrylic paints. I was a bit worried it would stain through to the other page, which is a double-page spread I would really like to do, but it didn’t at all. To apply the paint, I watered it down quite a lot and applied it with a water pen. This helped get it down a lot smoother, as it was quite dry. It took a couple of lays to get a nearly mat finish. I then used a fine line Posca pen to add the white strings, etc. I did have to keep cleaning my Posca pen that was becoming grey, but other than that it went over the black paint quite well and didn’t fade.